Friday, March 31, 2017

Meet The ONCE Group


The ONCE Group was a collection ofmusiciansvisual artistsarchitects, and film-makers who wished to create an environment in which artists could explore and share techniques and ideas in the late 1950s and early 1960s. The group was responsible for hosting the ONCE Festival of New Music in Ann Arbor, Michigan, between 1961 and 1966. It was founded by Ann Arborites Robert Ashley, George Cacioppo, Gordon MummaRoger Reynolds and Donald Scavarda.
ONCE composers’ goals and ideals for their festival:
  • To exploit contemporary technological means to broaden mystery and subvert the machine.
  • To shrink distance between artist and spectator, spectator and spectacle.
  • To suggest a museum of creative presence, of living performance, of spontaneous action.
  • To machine a tool for visionary exploration.
  • To score music, light, poetry, dance, with a single notational system, thus pressing a unitary vision.
To create a lightshow, Cohen used a variety of light-projecting and light-manipulating devices such as slide and movie projectors, prisms, filters, projectors, a color wheel, a variety of lenses, and mirrors. To create a multidisciplinary performance, Cohen was convinced that electronic music would be the best sonic counterpart to the visual component, and he connected with two of the future ONCE composers: Robert Ashley (b. 1930) and Gordon Mumma (b. 1935). Using a variety of equipment such as amplifiers, oscillators, filters, and four-track tape recorders, the two men formed the Cooperative Studio for Electronic Music and began composing electro-acoustic music for over one hundred Space Theater performances presented between 1958 and 1964.
Continued at....

https://en.m.wikipedia.org/wiki/ONCE_Group

Tuesday, March 28, 2017

New Revalation on Brian Baker




 Brian Baker of Minor Threat and Bad Religion now fashions  himself to look like the political commenter Charles Krauthammer, as a new tactic in thinning the line between the Punk Rock world and the Washington DC political scene. This may seem like a sure bet plan in getting impressionable youth to believe the propaganda Bad Religion promotes, but Four Horses Asses are here to blow the whistle on that coincidence theory! That's right, and if you think its just a coincidence that Brian Bakers former band mate Ian Mackaye whose father William R Mackaye worked for the Washington Post just as Krauthammer does, well its time to "wake up".

Saturday, March 25, 2017

Bad Religion Picture



Had to post this picture, these guys just look like a phony intelligence creation, especially Brian Baker, well I guess especially all of them!

Friday, March 24, 2017

WHILE WE'RE ON UFO'S... HERE'S A GUEST WRITER FOR MILES FECKIN' MATHIS...

NEW PAPER, added 3/16/17, NRO2. My guest writer is back with a second long addendum about NRO. This is a tack-on to my paper of a month ago about the nuclear program. He analyzes more fun government patches, among other things, and I teach you how a pyramid is like a volcano!
http://mileswmathis.com/NRO2.pdf


Your comments made me think more about this whole thing, so I did some urther research. Those patches just scream for analysis. As I said previously, the dark arrow on the first patch is placed over the British Overseas Territory of Saint Helena, Ascension and Tristan da Cunha. And so is the arrow below it.





We both already looked at Ascension, but what about the other islands? First, I wonder why Napoleon was exiled by the British in 1815 to Saint Helena, one of the most remote places on the planet? And why was a military garrison maintained on the island of Tristan da Cunha (its capital is regarded as the most remote permanent settlement on Earth from the nearest other human settlement, on Saint Helena) as a guard against any French attempts to rescue Napoleon, who was imprisoned on Saint Helena, 2,173 km (1,350 mi) away? It sounds ridiculous.

 [Miles: Yes, St. Helena is curious. The Wiki page is stiff with numerology. Given my paper on Napoleon, I would say there is no chance he was ever imprisoned there. The story makes no sense from the first word. We are told that, in fear of the Prussians, he demanded asylum from the British. What? Since when can you demand asylum from the enemy you have just been fighting for months? Obviously, they wanted to make everyone think Napoleon was stranded on a desert island, so that when they saw someone who looked just like him walking through the streets of London or Paris with a coffee and a croissant, they would tell themselves it couldn't be. It would also be impossible to confirm. Not even the top newspapers would wish to send a reporter halfway across the Atlantic to check the story, much less your average person. Napoleon was just an agent retired in 1815, since it was time to bring Louis back. When he allegedly died five years later, the Brits supposedly still wouldn't let him leave the island. Why? Probably because they didn't want to risk an autopsy or investigation. In other words, they kidnapped the body. That's what we always see in these hoaxes. Like all the others, this one is explained the same way: the body wasn't Napoleon.

The island was also run by the East India Company since 1658, when it was basically gifted to them by Cromwell. Another red flag flapping in the same direction.]

 Second, it seems the white arrow below the dark one is placed over the Tristan da Cunha archipelago. Why? Well, the main island (of the same name) “is located in the South Atlantic Anomaly, an area of the Earth with an abnormally weak magnetic field [your paper on this]. On 14 November 2008 a geomagnetic observatory was inaugurated on the island as part of a joint venture between the Danish Meteorological Institute and DTU Space.” You mentioned magnetism in the main paper on the nuclear program. Does this anomaly stand out somehow? Also, Operation Argus, a series of US nuclear weapons tests and missile tests, which are related to the anomaly, was secretly conducted in 1958 [a year before the launch of the first NRO spy satellite – and we saw a lot of antennas on Ascension Island] over the South Atlantic Ocean.

The first permanent settler was Jonathan Lambert, from Salem, Massachusetts who supposedly arrived at the islands in 1810 – this reminds me on your paper on Salem. He definitely wasn’t a poor guy.

 Another of its islands is the Gough Island, which is “uninhabited except for the personnel of a weather station (usually six people) which the South African National Antarctic Programme has maintained continually on the island since 1956. It is one of the most remote places with a constant human presence”. Interestingly, according to some historians, the English merchant Anthony de la Roché was the first to land on the island in 1675 (you mentioned the surname Roche as a variant of Rockefeller in your main paper).

Although all three parts of the British Overseas Territory of Saint Helena, Ascension and Tristan da Cunha were formed by volcanic activity, only the Tristan da Cunha group of islands is supposedly volcanically active at the moment. You wrote that a volcano may act like a pyramid. How, why?

[Miles: I should have said a pyramid acts like a volcano, since the volcano came first. A volcano is a volcano because it transmits energy from below the crust, in the form of heat, magma, fire, and eruptions. Volcanos generally inhabit seams in the crust, as is known. So they are positioned on a release point for the charge field. Heat is charge and charge is heat, so the volcano is also a major release point for focused charge. If you wished to tap the charge field, the space above a volcano would be a good place to do it. The pyramid, which is shaped roughly like a volcano, does the same thing on a smaller scale, especially if it is well placed. It focuses the upcoming charge field like a lens. The Great Pyramid is 30N for a reason. The charge field peaks at that latitude. Cairo may also be above a release point of some sort, although I haven't studied that. Just a guess. You want to find a place the Earth is already focusing charge, then focus it more with the pyramid. In that case you will have created a little faux-volcano, from which you can draw energy quite easily.

Once they have soaked us all they can with fossil fuels, they will have to tap the charge field for the rest of us. They are likely creating profit schemes for that as we speak. Although the energy should be free, I don't expect it will be. This is why I am not too concerned about an energy crisis. All that is just fear mongering. There are so many untapped energy sources like this, we couldn't run out of energy in a million years. And, as you see, they already know how to tap them. The tech is already in place. It has been in place for thousands of years.

As for your question about the South Atlantic Anomaly, it “stands out” for the same reason. It is a charge anomaly. It is pointing to another seam or charge high.]

 When I was searching for the patch photo that you used in the NRO paper, I stumbled upon these NRO patches:


You can see the “arrow” or boomerang from the first patch again, and at least the left patch seems to point again at the Atlantic Ocean (Ascension Island etc.). The left one also features three loops, or six points, which reminds me on your comment that the correct shape of the nucleus/atom has six points (hexagram) of channeling. Of course, if you ask them what those loops mean, they will tell you they are satellite orbits. And if you ask them what the big arrow represents, they would probably tell you it’s a part of the owl’s eyes from the patch on the previous page. So, now we have at least two NRO patches featuring a six-pointed “atom”.


The left patch is being sold on eBay, under the title “USAF Air Force Military Black Ops Area 51 Onyx Satellite You Can Run NRO Patch” – remember that the NRO works with the USAF, that Area 51 has been associated with the UFOs, and that the UFOs are actually classified high technology, as admitted by the BBC. The description of the patch was taken from the book I Could Tell You But Then You Would Have to Be Destroyed By Me: Emblems from the Pentagon's Black World by Trevor Paglen. He’s listed under the Cinematography section of Citizenfour, a documentary film about Edward Snowden.  Hmmm …

In his book, Paglen refers to the NRO as a “United States ‘black’ space agency”, and as a “secret version of NASA” in his interviews and lectures. It seems the US actually has “two space programs”. Indeed, while NASA was founded in 1958, the NRO was supposedly founded in 1961 (see end of paper for more on this connection). I guess the agents from the conspiracy community were not lying about the secret space program.


Although he keeps saying that the other program deals with satellites, this is what he says in his book, after having talked with a Peter Merlin, an “aerospace archaeologist” (probably a fictitious name, remember “Merlin” doing his magic on one of the previous NRO patches?):

“And this,” he told me as he opened a notebook filled with scanned images of military patches, “is called ‘patch intel.’.” [...] The lightning bolts, he told me, meant specific things in specific contexts [Note: electronic warfare according to the author, or the charge field probably according to you]; the numbers of stars on an image might represent a unit number or an operating location [Note: six stars on such patches, one separated from the other five, are supposedly a reference to Area 51, where prototypes are being tested]; the symbols on a patch could be clues to the purpose of a hidden program or a cover story designed to divert attention away from the program. These symbols, Merlin explained to me, were a language. If you could begin to learn its grammar, you could get a glimpse into the secret world itself. [...] Simply put, the military has patches for almost everything it does. Including, curiously, for programs, units, and activities that are officially secret.

What is also curious is that in his analysis of the owl eyes patch, he doesn’t mention Ascension Island and other islands in that area, nor the small arrows that could, therefore, represent the boomerang-shaped UFOs, as the one seen in Phoenix, or the V-shaped aircraft seen by UFO witnesses.

Another pretty telling thing is his reponse to a question from a listener (minute 50:08) during his lecture at Google's HQ in 2009. A woman asked him about the conspiracy theorists and Art Bell (former radio host at Coast to Coast AM) talking about Area 51, wondering if there is any shread of truth to this. He replied by saying that he interviewed a guy working there for a long time and asked him about the UFO rumours, only to find out that those stories – about little green men UFOs, black helicopters etc. – were “God's gift to the Air Force”, since they invented them to make the impression that whoever talked about classified aircraft ended up being looked at as crazy.

Thanks, pal, if I only knew that in 2009! That's actually the year I fell into the pit of all the conspiracy stuff on the internet. I find it interesting that after eight years, there are only 34k views of this video (plus, the comments are disabled), and I never heard of this guy until today. I haven't seen him participating at big conspiracy conferences or being interviewed by different conspiracy radio hosts, or being recommended by anyone relevant in the alternative community, even though he was a three-time guest at Coast to Coast AM, one of the premier spook radio stations. In this presentation, he also explains how he found out which contractors act like fake companies for these black projects, revealing fake company HQs and fake names of top officers.

[Yes, he is obviously a plant, and these people aren't planted to divulge the truth. If NRO is a second NASA, then it is probably a second money pit. This guy is planted to make you think they may at least be doing something interesting with your money, but most of it is probably misdirection. I think they do have new planes, but these planes aren't that esoteric or hightech: they are just the next step past what you know about. In other words, it isn't Star Trek tech, using wormholes, warp drives, or immediate point-to-point transport, it is just faster, quieter, and less visible planes. What is weird is not the tech, but that they aren't sharing the tech with the public. It looks like it has non-military uses, like transporting billionaires, but they don't wish to make the tech public because it is more profitable not to.]

Speaking of aircraft, during this research, I stumbled upon a Blackstar spacecraft which is supposedly a codename of a secret US orbital spaceplane system. It is said that the “USAF's Space Command was unaware of Blackstar, suggesting it was operated by an intelligence agency such as the National Reconnaissance Office”. Blackstar is described as a “two stage to orbit system, comprising a high-speed jet ‘mothership’ aircraft” and it is speculated that “such a spacecraft could also have offensive military capabilities, a concept colloquially known as ‘The Space Bomber’”. For me, it doesn’t matter what kind of psyop are they playing here, but the alleged high-speed ‘space bomber’ jet aircraft being operated by the NRO is another clue that they don’t deal only with satellites.

This is also supported by one of their own official videos on YT. Even though you mentioned that the names in that seventies’ organisational chart looked faked to you, they tell us that the “aircraft projects” supposedly started in 1962. Although they put focus on the spying nature of these airplanes, remember what Paglen said: the NRO is supposed to be the secret version of NASA, one of the two space programs, and NASA doesn’t deal with spying, does it, but with (fake) flights to the Moon and the like. Think about it. And NASA’s tech is actually supposed to be NRO’s old tech. (Note that the NRO as a whole is a joint CIA-AF project.)


Furthermore, in the Discovery Channel’s documentary Spies Above from 1996, they admit that since “the rocket launches were too big and too unusual to go unnoticed in the fifties, they had to hide the Corona satellite in plain sight – the Discoverer space exploration project served as its cover story”. And “most workers at the Vandenberg [AFB] and Lockheed, like the press, were told that Discoverer was a biomedical research project that would carry mice and monkeys into orbit. Since space missions were complex and compartmentalized, it was easy to keep people confused”. What is also interesting is that “the procurement and maintenance of the Corona satellites was managed by the CIA, which used cover arrangements to get access to the Palo Alto plant of the Hiller Helicopter Corporation for the production”. There’s Hiller again. And who was cooperating with Hiller at that time? Lockheed, although you don’t find any mention of Hiller on Lockheed’s Wiki page.


This is “Lockheed's covert ‘advanced projects’ facility at Hiller Aircraft” in Menlo Park, California (NRO, p. 41). Here’s some more:


Therefore, I can assume that such methods have been applied also to the production of the “UFOs”.

Another thing Paglen mentions in his book is where to find references to Pentagon’s black budget. If you go to the DoD Comptroller’s website, you can find the following terms in one of their Research Development, Test & Evaluation Programs’ reports, including the amount of money spent: Space Application Advanced Technology, Advanced Spacecraft Technology, Classified Programs. You also find Maui Space Surveillance System, which reminded me of your remark about Hawaii (remote, having a volcano, just like the Ascension Island, and strong military presence). “Government research groups and high technology companies have discovered that Maui has a business environment favourable for growth in those sectors as well.” There’s the Maui Research and Technology Center that deals also with astronomy, and the Air Force Maui Optical and Supercomputing site, which includes the High Performance Computing Center, Advanced Electro-Optical Telescope, Maui Space Surveillance System, and one of three Ground-based Electro-Optical Deep Space Surveillance sites.


 Finally, here’s another interesting patch:


According to Paglen, this patch is from the Phillips Laboratory Military Spaceplane Technology (MIST) Program Office at Kirtland Air Force Base in New Mexico.

This is what I found on KAFB's Wiki page:


 We see a craft flying out of the Solar Sytem there, but it is drawn as a Devil's tail, isn't it? And why only two small planets in an 8-planet system? Our Solar System has four small planets, not two. Don't you think they know that? And note the AF Research Laboratory’s logo on the right – 5 stars on the left and 1 on the right side (Area 51?), with the triangular aircraft in the middle. And there’s another six-pointed atom on the Nuclear Weapons Center right above the main logo and the Nuclear Systems Wing next to it (it says Armaments on this picture, but it’s actually Nuclear). Remember also the Star Wars type of spaceplane from the same military base on the previous page

[Miles: He means the X-wing fighter pictured on both patches. That is curious. Does it mean the X-wing is a real craft, not just a Star Wars piece of plastic? I guess next we will discover the Millennium Falcon is also a real craft, and that Lucas was just given permission to film onboard. Just kidding. That exposed dish on top wouldn't be very aerodynamic, would it?


Unless the Falcon travels in a charge envelope, that thing would be blown off at bicycle speeds.]


KAFB was involved in the Manhattan Project and was a flight test center, later also the “flight-testing headquarters for the 58th Bombardment Wing, which had been stationed at the Roswell Army Airfield, New Mexico”. That’s where the Roswell crash happened in 1947, more precisely on a ranch in the village of Corona near Roswell. Isn’t that the same name as the Hiller/Lockheed Corona satellite project? And when was the crash first reported? On July 8, 1947; the CIA was officially created two weeks later, on July 26 (2+6=8), 1947. And who was directing the Corona project? The CIA. And look what it says on Wiki: “The military decided to conceal the true purpose of the crashed device – nuclear test monitoring – and instead inform the public that the crash was of a weather balloon.” This again supports your thesis about a new type of transport probably being tested. [Miles: yes, but it is again misdirection because they are trying to resell the nuclear program, even while “divulging” the “true purpose”. So even when they “come clean”, they are just telling a variant lie. Which is why we have to look at all this NRO stuff very closely. As with all the other “leaks”, we may assume these are controlled.]

Regarding the Devil’s tail on the KAFB’s central part of the logo (a stylized hexagram), do you remember saying that phosphorous is the Devil’s element due to its use in explosives, and that it means light and points to the charge field? When I was searching for MIB’s logo (a stylized hexagram), I stumbled upon a picture of the man sitting right next to that logo, but I thought it would be too silly to ask you if the following could mean something. Can you guess what is the title of the newspaper he is reading? SATAN ESCAPES FROM HELL.


There is another thing I noticed on the above and some other military logos. The arrow that they use looks like an arm of the Knights of Malta's (KM) cross, and the same arrow was featured in Star Trek and Blake's 7 – both sci-fi TV series from the seventies related to spaceships flying in the universe.


 Furthermore, the KM's cross, officially known as the “Maltese cross”, is similar to the Knights Templar's cross, which is a variant of the so called cross pattee. And here comes the sweet part.

Recently, you updated your paper on heat levitation with a modern experiment in quantum holography. Do you remember what the diagram in the referenced article looked like?


The first is the photon hologram (measured (L) and theoretical (R)), the second is a variant of the cross patte, and the third one is the most recognized symbol of the Knights Templar (KT), the highest order in the York Rite of Freemasonry (note the circle/Sun? within the square behind it) in the center and the sunrays around the cross in the crown). This variant is one of the most used spook markers on the planet. Seen from above, it could represent a pyramid.


Although there are many different pyramids around the world, I wonder if all of them could be used as “filling stations” for those advanced spacecraft, as you suggested. As for the “charge maxima reaching up into the sky above for long distances”, I remember there were claims about this regarding the Bosnian pyramid; I think they measured this energy, but I am not sure.


Here is the standard form of the cross pattee (also used by the Templars) and its use in one of my favourite childhood cartoons He-Man and the Masters of the Universe. Masters of the Universe ...


Which brings me back to your paper on the mystic symbolism and the charge field, where you stated that the hexagram, which “predates even the Old Testament, and it can be found in mandalas in India that have nothing to do with Judaism”, is a representation of the charge field.


 Which brings me back to your paper on John Dee, Francis Bacon, Rosicrucianism and Freemasonry, and all before that as related to the charge field and gravity.

So, we have two, thousands-year-old symbols that match the diagrams of modern science related to light/charge. How is that possible? Obviously, these guys aren't tapping new technology.

Now back to NRO. As a side note, the current NRO's official logo is slightly different than the one from the 1988 declassified Corona satellites document. Note what it says on the first page of this document (probably added later): “The CORONA Story.” A story? Remember, those satellites were supposedly the first spy satellites launched into orbit. The first went up in 1959 and the last one in 1972; the whole thing was classified until the nineties. The program's name was a codeword, not an acronym, according to Wiki. We saw the Corona village where the first UFO crashed in 1947 above and almost 13 years later Corona was used as a codeword for a program run by an agency that is called “the secret version of NASA”. And what does corona mean, anyway?


1. The luminous, irregular envelope of gas outside the chromosphere of a star. The Sun's corona is composed of ionized gas [...]. This phenomenon is visible only during a solar eclipse.

2. A faintly colored luminous ring appearing to surround a celestial body (such as the Moon or Sun) that is visible through a haze or thin cloud, caused by diffraction of light from suspended matter in the intervening medium. Also called aureole.

3. A faint glow of the air in the region of very strong electric fields, caused by ionization of the air molecules and flow of current in that region in corona discharge.

Basically, electricity and light, which are again related to the charge field.

At the same time, in 1959, NASA started its manned programs, and the Apollo Program ended in 1972 (the last manned program, US-USSR, ended in 1975). I assume NRO's technology is used to film everything possible on Earth and in outer space, and then those images get analyzed and scrubbed by the National Geospatial-Intelligence Agency (NGA), which used the Corona images in the sixties, by the way. If NASA's activities are staged, faked, I don't see what its purpose can be other than acting as a front project that sucks money and channels it to covert black projects operated by the NRO and other intel agencies. Various private space companies, such as SpaceX, Bigelow Aerospace etc., probably act in the same way.

And these are only the US companies and space projects. There's also Russia/Kazakhstan (world's first and largest operational space launch facility), China etc.

I noticed that some of the NRO's patches and logos also point to Africa, not just the (South) Atlantic.


They definitely point to the northern part of Africa (Sahara Desert), probably to one of its centers (northeastern Nigeria), or maybe some place in nearby Chad, Niger, or Sudan. Alternatively, the reference to Africa may just be because it is called “the dark/black continent” and all things NRO are part of the “dark/black (= classified) world”.

I made a quick check if there are any pyramids in that region (apart from those in Egypt) and they were found in Nigeria, Niger and Sudan (also in Libya, even in the Canary Islands).
PYRAMIDS OF MEROE, NUBIA (SUDAN)


 I heard about Alexander Golod’s (Ukrainian former defense contractor and scientist) research on the alleged positive effects of the pyramids, but I am not sure whether that is true or just some more manipulation, and I am not willing to pursue it now.

I also looked for any nuclear activities or uranium in that region. As various commissions are concerned, there is only the Nigeria Atomic Energy Commission – featuring a hexagram, almost the same as the one in Men in Black 1.


And uranium is being mined in Niger, Nigeria and Sudan (also many other countries in Africa), with Niger being one of the top 20 producers in the world. The first one is Kazakhstan (rings a bell? largest and oldest space launch facility) – if this new type of fuel really comes from uranium, no wonder they are doing that well; uranium mining is of “considerable importance to the national economy” and “in the past half century, Kazakhstan has been a major source of uranium for the world's nuclear programs”.

Since you mentioned pyramids being in Peru, with relation to an NRO patch, I went to see if uranium is also there, and it seems it is. Peru was predicted to become S. America's first major producer of uranium. I also found a link to the US Atomic Energy Commission's Division of Raw Materials where you can find “reconnaissance of/for uranium” in Peru, Chile and some American States, and some other references to uranium and the science/production related to it.

I also found several other atomic logos featuring a hexagram:


The question remains who produces these advanced aircraft? It seems they test them in Area 51 and similar locations, but who could be making them? Some names I've heared in all these years, from Paglen and found during my research are Lockheed, Northrop Grumman, Rockwell, Boeing, we saw Hiller, I also stumbled upon McDonnell Douglas, Hughes Aircraft and General Dynamics, and I am sure there are many more of them, counting also the front companies.

Another thing I came across during my research is the Pine Gap satellite ground station in the center of Australia that is partly run by the NRO, CIA and NSA. I remember hearing in a lecture or an interview that there is supposedly a deep underground base below Pine Gap that is connected to the US through a fast underground train. This is just one of many such stories about deep military underground bases in the alternative community. I wouldn't be surprised if that was true.

[Miles: I would. They would have to tunnel beneath the entire Pacific Ocean. They do have amazing tunneling capabilities, but nothing like that. It took them six years and $20 billion to dig the Chunnel, which is only about 23 miles undersea. To dig from Australia to Los Angeles would take about 2,000 years at that rate, at a cost of $7 trillion.* So if there is a tunnel there, we didn't dig it.]

There is a RAND Corporation (part of US Air Force) report about deep underground construction from 1959 and another one about a “very high speed transit system” in underground tunnels from 1972 (21 min. coast-to-coast in US). The US Air Force also supposedly uses nuclear tunnel boring machines called subterrenes (cf. submarine); see also here and here for cost analyses done by the military for these machines.

[Miles: again, it would take about 600 years and $2.2 trillion to tunnel from Los Angeles to New York, based on the speed of the Chunnel bores. So if the tunnels exist, we didn't dig them. My assumption is they do not exist. These stories are likely planted to make us think they are doing something interesting with our money, besides stealing it.]

Here is a patent from 1972 filed by the US Atomic Energy Commission for a “method and apparatus for tunneling by melting”:

A machine and method for drilling bore holes and tunnels by melting in which a housing is provided for supporting a heat source and a heated end portion and in which the necessary melting heat is delivered to the walls of the end portion at a rate sufficient to melt rock and during operation of which the molten material may be disposed adjacent the boring zone in cracks in the rock and as a vitreous wall lining of the tunnel so formed. The heat source can be electrical or nuclear but for deep drilling is preferably a nuclear reactor. 

Another one from 1975 filed by the US Energy for an “apparatus and method for large tunnel excavation in hard rock”:

A tunneling machine for producing large tunnels in rock by progressive detachment of the tunnel core by thermal melting a boundary kerf into the tunnel face and simultaneously forming an initial tunnel wall support by deflecting the molten materials against the tunnel walls to provide, when solidified, a continuous liner; and fragmenting the tunnel core circumscribed by the kerf by thermal stress fracturing and in which the heat required for such operations is supplied by a compact nuclear reactor [...] The nuclear reactor is of the compact type such as developed for space propulsion.

And another one from 1975 filed by the US Energy where “the heat supply for the melting penetrator is a compact nuclear reactor of the type developed for space propulsion [...] Such a reactor is capable of energy output of many megawatts.”

It seems that apart from cars, ships, submarines, torpedoes, aircraft, missiles, spacecraft, and rockets, nuclear propulsion is used also for tunnelling machines.

[Miles: again, the nuclear misdirection. These leaked patents are leaked to confirm the nuclear program. Which doesn't exist. Yes, they have some big machines, but they aren't nuclear powered.]
Supposedly from 1982 at the Little Skull Mountain, Nevada (in the middle of nowhere). 

I also checked if there are some patents related to space propulsion and caesium, and I got 64 results, but I don’t know if they are of any value to your research.

I got a bonus, too. When I went to see if there are any official NRO videos on YT, I noticed there was a video of Steven Greer where he mentioned NRO as being the true spymasters, unlike Snowden's NSA programs, which are, according to him, the basic (low) level of espionage.

I watched the entire clip and I noticed three things.

a) The three-dotted sign on his shirt that represents CSETI's logo (note the word Intelligence). Among other things, that's a well known Freemasonic sign. They even call themselves “the three-dotted brothers”. That sign literally represents a brother Mason. They use it in their correspondence and place it next to their initials and lodge titles. May be a coincidence with Greer, but that's what came to my mind first when I saw his picture taken from a distance.


 b) At minute 03:54 he talks about a group of people that organized an event where they wanted to communicate with ETs according to CSETI's protocols, I guess. The event, for which they had to “set up a security perimeter, radar perimeter, divert air traffic”, supposedly lasted 3 nights on a 2200 acre estate in France owned by the family who, “ironically, helped organized the French Revolution [...], specifically the beheading of Marie Antoinette, some very interesting vibes at this estate [...]”. Oh, boy, what a coincidence.


c) ... estate in France owned by the family who, “ironically, helped organized the French Revolution, like my mom's family did in America [...]” First I read and hear from his own mouth that he hangs out with a Rockefeller and now he says his mother's family helped organized the American Revolution. Well, that makes me feel warm all over.

*And that's not even taking into account the depth of the Pacific Ocean. The English Channel at that point is only 130 feet deep, while the Pacific is 36,000 feet deep. Although the Pacific Tunnel wouldn't need to go under the Mariana Trench, it would still have to go beneath or around some deep trenches like the Tonga Trench, nearly 300 times deeper than the Channel. This would add another thousand years to the project.

Is punk dead? Johnny Rotten admits he will 'sorely miss' the Queen when she dies

http://www.telegraph.co.uk/news/2017/03/23/johnny-rotten-admits-willsorely-miss-queen-dies/


FOUND THIS ON THE FUDGE REPORT AS I WAS MAKING FUDGE THIS MORNING!

Saturday, March 18, 2017

LETS BEAT THIS STUFF TO DEATH...BLUE OYSTER CULT...Their (Potential) Son of Sam Connections By Darren Barakat (December 2016)



San Francisco in 1967 hosted the Summer of Love, a celebration of peace, sunshine and music, but in New York in the summer of 1976, the scene was nearly as reversed as the last two digits in the years. Murder reigned, with "dark clouds... over the street," and a local band ascended the national pop charts with an eerie song about death.
Blue Oyster Cult's fifth album, Agents of Fortune, was released in May 1976. In addition to the hit single and rock classic "(Don't Fear) the Reaper," it contains the presciently titled "This Ain't the Summer of Love," which declares "things ain't like they used to be," and "Morning Final," which is about "motiveless murder."
Two months later, a young woman was shot and killed, and her friend injured, while they talked inside a parked car in the Bronx. And so began the Son of Sam serial killings, which terrorized New York City from July 1976 until August 1977, and the rise of "(Don't Fear) the Reaper," which entered the Billboard Hot 100 chart the same week as the murder.
5 of the 8 Son of Sam shootings targeted young couples. Although the theme of "(Don't Fear) the Reaper" is suicide and not homicide, the song references a couple (Romeo and Juliet) that died unnatural deaths at a young age. The creepy parallels and links between BOC and the infamous murders shine like a full moon against a black sky when the band's biggest hit is viewed together with other BOC songs from the same time period, some of the band's associates, a real-life snuff film and a drawing of dead German Shepherds.

WARNING: PASS THIS POINT AT YOUR OWN RISK
Six people were killed and seven wounded in the Sam shootings. Ten days after the last attack, postal worker David Berkowitz was arrested and declared the killer who had paralyzed the city and would inspire books and movies.
The official word from police and prosecutors was that Berkowitz acted alone, and he was convicted and sentenced to six life sentences in prison. A deeper look at the evidence indicates the possibility of a massive conspiracy of the type BOC was so adept at writing songs about during the 1970's.
Eyewitness descriptions of the killer and police composite sketches varied drastically because, as Berkowitz eventually confessed in prison, there was more than one killer. He said he was a member of a satanic cult that planned and carried out the shootings as a team. The District Attorney of Queens at the time of the killings and other law enforcement officials have gone on the record admitting that Berkowitz had accomplices, although the New York Police Department's official position hasn't changed.
Nine years before the killings began, Sandy Pearlman and Richard Meltzer visited northern California during the Summer of Love as Meltzer told author Martin Popoff for his book Blue Oyster Cult Secrets Revealed. They attended the Monterey Pop Festival, where they heard the Jefferson Airplane, the Grateful Dead, and Jimi Hendrix, among others, and hung out in the Haight-Ashbury section of San Francisco. Other people at Haight-Ashbury at the time included Charles Manson and emissaries from the Process Church of Final Judgment.
The Process was formed in London, England, in the early 1960's, as an offshoot of Scientology. It believed that in the End, Jesus Christ and Satan would come together, with Christ judging mankind and Satan executing the judgment. The Church made its way to the United States and recruited at the Summer of Love. Church founders Robert and Mary Ann DeGrimston lived less than a mile away from the intersection of Haight and Ashbury streets. Manson lived two blocks from the DeGrimstons and joined the Process.
Pearlman returned home to New York and decided to start a band, which eventually evolved into Blue Oyster Cult. He managed the band and produced their early albums. Meltzer was one of his songwriters, with credits on six BOC tracks during the 1970's.
BOC's 14 studio albums explore dark lyrical themes such as the occult, biker gangs, violence, and vampirism. Another theme that is repeated again and again in the lyrics is conspiracy.
Violent biker gangs and conspiracy ride together on "Transmaniacon MC," a song from BOC's first album, released in 1972. The lyrics examine the 1969 concert at Altamont Speedway in California in which Hell's Angels killed a man near the stage. The public version of the story is that it was spontaneous violence by mindless thugs. "Transmaniacon MC" invites the listener to imagine a conspiracy where behind the mayhem was a secret organization bent on causing violence to destabilize society and help bring about the apocalypse.

Other BOC songs conspiracy songs from the period of 1972-74 include "Before the Kiss," from their debut album, and "Dominance and Submission," from their third album, 1974's Secret Treaties. In fact, the entire Secret Treaties album is built upon a theme of evil conspiracy. The cover references a fictional book called The Origins of a World War and suggests that war and other evils will flow from agreements and for reasons concealed from the public.
Meanwhile, as the Process evolved in the early 1970s, it split into branch cults that fell into three categories, those that worshipped Jehovah, Lucifer, or Satan. The church also formed a relationship with biker gangs, who were seen as useful to transport illegal drugs, one of the Church's funding sources, and to be warriors for the Process during a time of approaching Armageddon.
One of these offshoots, according to Berkowitz, planned and carried out the Son of Sam murders.
The DeGrimstons, according to author Maury Terry in his book The Ultimate Evil, settled in New York and "recruited among the artists, poets, and hordes of counterculture youth" in Greenwich Village, the neighborhood where BOC keyboardist Allen Lanier shared an apartment with his girlfriend Patti Smith for much of the 1970's. Smith, the "punk poet laureate," was inducted into the Rock and Roll Hall of Fame in 2007. She recorded four studio albums in the 1970's and helped write five songs from BOC's first six albums. She also showed a Processian contempt for the Gospel when she wrote and sang the line, "Jesus died for somebody's sins, but not mine."
By the end of 1971, Lanier had moved into the loft in New York City that Smith was sharing with Robert Mapplethorpe, and three of them lived there together, according to Patricia Morrisroe's book Mapplethorpe: A Biography. Smith later wrote a book about her close relationship with the controversial photographer who died of AIDS in 1989 and was known for pushing the boundaries of obscenity. Mapplethorpe's name eventually came up during interviews about the Sam murders.
Two prisoners who were locked up with Berkowitz relayed to Terry some of what they learned from the convicted killer. Twelve members of Berkowitz's cult had a hand in the Sam killings, which were planned at the home of a high-level Process leader in Westchester County, north of New York City. The cult's headquarters was an abandoned church on Salem Road in the town of Pound Ridge. A rural area about 45 miles away from New York City- it's not the kind of place city dwellers would stumble upon by accident.
Just three miles away from the Salem Road turnoff was another church, this one made to look sinister through the use of distortion photography. St. Paul's Chapel, at 313 Smith Ridge Road in South Salem, is pictured on the front of BOC's 1975 live album, On Your Feet Or On Your Knees. The black book pictured on the album's back cover looks like the Book of Deeds, a volume in which Process cult members were required to record their crimes so that cult leaders could monitor activity and control members through blackmail.
The Process, whose leaders sometimes wore capes, was known to raise and travel with German Shepherds. The Sam cult sacrificed German Shepherds to Satan in the mid-1970's. The dead dogs began turning up north of New York City during the killings in 1976, according to news reports. Three were found in Yonkers, New York, around Christmas 1976, and 85 dead dogs, including German Shepherds, were found in Walden, New York, between October 1976 and 1977.
A full two years earlier, BOC's Secret Treaties was released with cover art showing a drawing of German Shepherds at the feet of singer Eric Bloom, who is dressed in a cape, and the other band members. On the back cover, the band is gone, and the German Shepherds are lying dead on the ground.
The 10 songs on Agents of Fortune, released just two months before the first Sam shooting, include some notables besides the much-discussed "(Don't Fear) the Reaper." Proclaiming "no angels above," "This Ain't the Summer of Love" is the perfect opening for the season of Sam. "Morning Final," the dirge about "motiveless murder," takes place in a big city with busy streets and includes a chase that leads down subway stairs. "Sinful Love" includes the lyric "looking for a pistol" and "I'm possessed." "E.T.I. (Extra Terrestrial Intelligence)" revisits the theme of conspiracy, with two references to three men dressed in dark clothes saying, "don't report this."
On the subject of conspiracy, Berkowitz said he pulled the trigger in only two of the eight Sam attacks. His neighbors John and Michael Carr, brothers whose father was named Sam and who both died violent deaths before the end of the 1970's, each pulled the trigger in one, according to Terry. Another shooting was said to have been done by a mysterious figure named as "Manson II," who lived in Southern California in the late 1960's and knew the original Manson and members of the Process church there, Terry reported.
In the final Sam attack, the victims were selected because they were parked under a street light, which created optimal conditions for filming. Three people in a van a few feet away made a video recording, a snuff film of the attack, for sale underground, Terry reported.
A convicted bank robber named Jesse Turner, who once lived with Smith and Mapplethorpe, told Terry that Mapplethorpe knew about this tape. In fact, Turner said, Mapplethorpe asked him to arrange the killing of Ronald Sisman, the man who had the tape, which was filmed at the Process' request. Sisman was murdered in 1981, and the two hit men recovered five snuff films from Sisman's apartment, including the Son of Sam tape.
Turner said he was a good friend of Michael Carr, who supposedly pulled the trigger in the seventh of the eight Son of Sam shootings. About halfway into the killings, Turner told Terry that he learned "the Process was behind Son of Sam. They called it one of their 'Apocalyptic Trials,' which meant a major display of public violence."
Halfway through the killings, which was halfway between Agents of Fortune and BOC's sixth album, Spectres, Lanier and Smith were still living together in Greenwich Village, but their time together was winding down. Lanier and Smith broke up in 1978.
"They had a lot of rock n roll friends. They have a lot of stories of people, all kinds of people, artsy people from New York, pretenders, a lot of people who are not with us now," BOC bassist Joe Bouchard told Popoff. "Mapplethorpe and a lot of that sort of downtown artsy crowd, were part of Patti and Allen's scene."
Spectres was released in November 1977, a little more than three months after the Sam killings ended. The sun never shines on this album. It's exclusively about the spirits who roam the night. The leadoff track, "Godzilla," follows a monster that terrorizes a big city. Violent biker gangs reappear in the "Golden Age of Leather," a 6-minute opera-like epic in which the outlaws go down in a blaze of violent glory. "Death Valley Nights" revisits Manson's old hideout. Meltzer told Popoff he wrote the song after moving from New York to California and dating "a Manson girl" who wanted to give him a tour of the cult leader's haunts in Death Valley. "Fireworks" references a man finding his reluctant partner to consummate their love, which results in "fireworks shooting up in her head" and "fireworks pouring down on her head." The lyrics are similar to a note found at Berkowitz's apartment when he was arrested in which he (or someone else) wrote, "And huge drops of lead poured down upon her head." "I Love the Night" and "Nosferatu" examine night-time evil in the form of vampirism.
One song stands out as terrifying when you consider that lyric writer Lanier was the band member who best knew alleged snuff film conspirator Mapplethorpe. On "Searchin' for Celine," Bloom sings "Love is like a gun," followed by imagery about it being in someone's hands, and "oh, what a thrill."
Shortly after Berkowitz was captured, three months before Spectres was released, the original British faction of the Process left New York. The cult re-emerged in Atlanta in 1978, Terry reported. Within a year, in 1979, the infamous Atlanta child murders began.
BOC's seventh album, Some Enchanted Evening, was recorded live in various cities, including Atlanta, and released in 1978. It includes the song "We Gotta Get Outta This Place." Play the album and the first words you hear are an introduction of the band: "Atlanta, Georgia. Are you ready to rock n roll? Well please welcome, from New York City, Blue Oyster Cult."

Darren Barakat is the author of Greatest Misses: Deep Cuts and Forgotten Songs from the Shadows of Classic Rock, an e-book available at Amazon.com.







Observational thoughts on mainstream culture and Punk culture, in the promotion of "Freedom" through SEX




A common thing we always hear about is protecting our so called rights and freedoms. But what do most people in the current U.S. talk about on the subject of their freedom? Certainly not the trampled upon right to travel. Not our dozens of enslaving taxes, taken by threat of death. Definitely not about our constant bombardment of deceptive propaganda. I don't usually hear people point out that the government and business/financial elite are one in the same. Yet "our freedom" is a popular phrase that is suppose to remind us why the U.S. is such a wonderful place. So what freedom is it that is always being referenced?

In mainstream culture the topic of freedom usually is discussed along side topics like your choice of church, where you choose to live, of course freedom to "express yourself" by the way you dress and style your body (those things are usually suggested to you through media, but still, it's expressive, right). Sometimes it refers to the freedom to say whatever you want, without limits. Other times it's to silence those who may say something that offends certain people, I suppose because it's an infringement on the effendi's freedom to not be offended!

But what I'm leading up to is what seems to be constant focus on sexual freedom. I'll first say that, I do believe in sexual freedom. I feel people should be able to make up their own mind when it comes to who they have sex with and how they have sex, unfortunately its very clear to me in this day in age, sexuality is kind of like how you decorate your body, it's another thing that is often suggested to us, mainly through media.

Punk culture [as the rest of mainstream culture] is strongly focused on sexual freedom. Punk songs often preach the idea of being your own person and making your own choices, and not letting anyone infringe on your freedom. But are those choices people make actually well thought out? Are they by means of ones own self initiative or a natural inclination? Or have they been suggested and embedded deep into our minds? For a long time now Punk along with the rest of mainstream culture seems to usually deliver the message that freedom is first and foremost about sexuality. Most often completely abnormal sexuality, that defies the simple and traditional role sex always seemed to play. I believe in the past sex was commonly considered a way to express love and experience a pleasurable bonding with a person that you connect with, for the ultimate goal of creating a family together.

Having a close and strong family is actually a great means to achieve self reliance and thus independence or freedom from an oppressor. Not a 20th century nuclear family that's been propagandized by an electronic screen, that's demonstrating warped embeds, telling people how to behave. But a real multi generational highly functional family that keeps strong bonds and takes care of each other and its community. This type of family has been so pushed out that it seems generally people are hardly even aware that it did exist at one time (and arguably still does in a some places).

The various Punk ethos are centered on indulgence, partying, recklessness, poorly reasoned political positions and theories that have been handed down by the same establishment that Punk cries out against. The idea of combating an oppressive state, or a flawed society, through massive efforts of people establishing real families and communities that could ignore the establishment, would most likely be laughed at by the average person. That despite it being the exact type of situation that could actually cause great disruption and threaten the power of the system as we know it. As someone who is extremely familiar with Punk culture, generally speaking it seems to breed plenty of prolonged [if not permanent] adolescents and debased lifestyles. From my experience the majority of people who are heavily involved in Punk culture, stick to that promoted life style, and the idea of a strong, healthy, determined family structure as a means to oppose the ills around us could never be imagined by Punks.

Accepting everything as normal, and really the encouragement of bizarre life styles is a big part of what punk seems to represent. If family is ever promoted its usually some idea of a "modern" family to say the least. Whether political punk or nihilistic punk there is a common sentiment that seems to work against the idea of having a traditional family. Looking at the people I know from punk culture, family is the last thing anyone is thinking about.

Fat Mike of NOFX, founder of Fat Wreck Chords and Punk Voter is well known for his party antics and his S&M lifestyle. In the recent NOFX biography he talks about his long hidden passion for dressing as a women. He's in good company being that his label is home to the band Against Me! who's singer Tom Gabel now named Laura Jane Grace had a very public revealing of his gender dysphoria. (On a side note Grace is still attracted to women and was in a relationship with a young musician named Cœur De Pirate who came out as a lesbian in response to the Pulse Night Club event in Orlando).

Laura Jane Grace
Tom Gabel aka Laura Jane Grace


Keith "Mina" Caputo-Life of Agony

Mina Caputo










Image result for genesis p orridge before and after
Genesis P-Orridge with Throbbing Gristle.jpg
Genesis P Orridge (early days above vs current days below)




Both Fat Mike and Grace have been at times married with children, but clearly it didn't work out. It's seems note worthy to point out that Fat Mike has a bachelor's degree in Social Science and a minor in Human Sexuality from San Fransisco State (who'd of guessed). At this ironic time of the popularizing of trans-gender, transsexual, trans-fluid people into the culture, Mike has apparently felt he should 'come out', claiming he held back his passions for years. He married his dominatrix in Jan 2017, while he dressed the part of a bride and she dressed the part of a groom.
 

One of the few early political themed NOFX songs was called Vanilla Sex, a protest song from the album S&M Airlines, that champions ones freedom to pornography and freedom to have sex in the manner you choose. Yes Fat Mike until somewhat recently was too intimidated to be known as a man that dresses like a women, yet over 20 years ago he was proud to write songs about other parts of his non traditional sexuality, his taste for pornography, and his clearly seen tattoo of a dominatrix, but only now has he mustered up the courage to come out as a female impersonator, and now he is helping to open the door for others who want to come out. I'm a bit skeptical of how true all that is, but lets assume it is true, and consider what that means. It means this Punk Rock icon (anything goes right), was ashamed for a desire to dress like a female, but for decades he was not ashamed to have a public image well known for all types of sexual exploits and banter about his sexuality. Seems unlikely to me, could there be more to it?

Sex is a common place part of life. I imagine most people have certain sexual things they're into for sexual activity and other things they're not. From things silly, odd, extreme, painful, disgusting, taboo, boring, its a rangy activity and I doubt that's new. That said, why is it now so openly being discussed? What purpose does it serve? It seems to be more and more of a hot topic, for an ever younger audience and with more graphic detail and more bizarre subliminal instruction to all. Some may argue that sexuality was too uptight in generations past, and maybe it was, but is an over saturation of every type of sex imagined any better? Is a lack of modesty with your sexuality a demonstration of freedom? Is being able to film yourself involved in sex acts and then post it on the Internet proof of being a free human? I hope not, but sadly this is what people are being taught.

I have nothing against individuals that feel they're born "in the wrong body", and I'm sure people do struggle with these sorts of feelings. I'm definitely not convinced that everyone in the spot light, who claims this affliction are truly sincere, but instead might be playing a role offered to them. But why? Well in order to get people on board with something that was once an abnormal, anomaly that ultimately fell into a category of mental disorder, it's being retaught that such things are completely normal and much more common than we ever knew. Masses of people are made aware that this is a common, normal thing. It puts the suggestion in impressionable minds; that might already have been damaged or have brain chemical imbalances. For many others they see it so often in media and probably somewhat in real life, it slowly becomes normal.

People are born with and develop all sorts of mental problems. Some have delusional disorders, where their minds fool them into believing things take place that never did. At this point I think most people still agree that the desire for adults to have sexual relations with children is abnormal and a mental disorder, but I'm not sure how long this will be the case. People who want to change their gender are suffering from a mental disorder as well, but it has now been re-branded as a normal and harmless matter of life. People who have these mental issues shouldn't be mistreated, but it can only be in efforts to harm the over all population, that any of these things would be shown to us a normal way of life.

As we've brought up in various parts of this research into Punk, many of the earliest Punks and fathers to the punk culture are known for their abnormal hyper sexual indulgence. Just as some examples William Boroughs, Allen Ginsberg, Malcolm McLearin, Iggy Pop, Kim Fowley... all of these people are well known for their influential roles in punk culture at the same time are well known for their sexual indulgence and the promotion of it. The Walton Hop in England was a popular Rock/Punk hangout, it's become known that older men would go there to find boys to pick up. The early LA Punk scene, had a club run by Rodney Bingenheimer called the English Disco/E Club another known safe place for adults wanting to have sex with the never lacking minors hanging out. Steve Blush the author of American Hardcore claimed he was aware of the same activity going on in Punk Rock clubs in New York.

The constant advertising of sex whether knowing or unknowingly is serving a conscious effort to hyper sexualize as many people as possible in the general population, this is undeniable in my opinion. 

Sex and sexuality is a constant thing being drilled into peoples minds. But marriage/truly committed relationships, and having functional families is always on the decline. People are having more sex, with as many different partners as possible. Abortion is an easy fix to any accidents that may come from the promiscuity. Infinite pornography is available and made easier to access than ever, and many apparently are content with this in place of a relationship. Seems like this is all working in accord with a plan. Punk culture is right up there in promoting that plan. So in disgust and confusion to that fact, I'll quote the band The Unseen, "So this is freedom?"

Wednesday, March 15, 2017

VIDEO UPDATE TO: Mapplethorpe And "Son of Sam Snuff Film."

So here is a youtube video which adds more suspense to the PUNK connection to the Son of Sam killings in NYC...
HERE IS LINK TO ORIGIANL POST BY MASONIC YOUTH...forward to 32:15 for instant gratification...  The whole thing is worth a watch though!!!
Mapplethorpe And "Son of  Sam Snuff Film"



HERE IS LINK TO A&E  episode...
Son Of Sam Speaks